Investing in Aputure
Delivering at film and commercial level means having the right tools, and LITECOM has invested in a complete Aputure lineup built for exactly that. Featured investments include:
STORM XT52. Our most powerful point source. A single-source powerhouse that punches through large spaces and daylight, giving crews the raw output of a big HMI with the color control and instant dimming of full RGB LED. When a shot needs real distance and intensity, this is the fixture.
STORM 80c. The versatile workhorse. Compact, weatherproof, and full-color, it moves effortlessly from a hard key to a subtle accent. Reliable enough to trust on any set, small enough to put anywhere.
NOVA II 2×1. The soft key. A beautifully even, full-color panel that delivers flattering, wrappable light. The go-to for interviews, beauty, and any moment that calls for softness with precise color.
INFINIBAR pixel tubes. Creative, buildable light. Individually addressable RGB tubes that work as practicals, accents, or full pixel effects. Link them, shape them, mount them anywhere, so the light becomes part of the frame itself.
MC Pro pocket lights. The small ones that do it all. Tiny, magnetic, full-color pocket lights that go where nothing else fits, tucked into a shot as a practical, a hair light, or a splash of color. Small enough to hide, bright enough to matter.
Light shaping and modifiers. Control over every source. A full range of domes, softboxes, and grids that turn any of our fixtures into a precise, directional light, giving crews the exact quality and spread a shot calls for.
Backed by a full range of power, diffusion, and rigging accessories, it's a package built for the way film and commercial crews actually work: precise, controllable, and ready for set.
A closer partnership with Martin Riello
We're proud to be building a closer partnership with gaffer Martin Riello. Through his company Riello Film Lighting, he has spent two decades as one of Danish film's established gaffers, lighting feature films, documentaries, and drama across the industry.
Now Riello has moved his inventory out to our facilities and has his daily base with us. He continues to run his own company, but by working side by side we're combining his craft and experience on set with our resources and studio. Having a gaffer of his standing based here is a natural step in our move deeper into film.
